Monday night saw me back on the mean streets of Dublin with the master of understatement (but over exposure) himself, Dermot Greene. After a decent bout of pastamongery, we hit the streets and worked over the lower banks of The Liffey.
I'll be posting shots from that wander over the next few days.
I thought I'd start with the most emotive of the pictures I took that night.
Just beside the financial district (the IFSC?) in Dublin there are a series of statues remembering the Potato famine of the mid 19th centaury. I'd seen these statues many times while passing through Dublin and only ever considered them as slightly odd, maybe even a little eerie. I'd never really looked at them by night though.
What I found was probably the first piece of art that ever moved me emotionally. The gaunt, weather beaten look and the faces carved in expressions of desperation really do emphasise the horror of the times. I'm not going to try to describe the famine and its effects on Ireland, it's not that sort of blog. If you want to know more, read this. Suffice to say, if you ever end up in Dublin then take a look at this work and consider for a minute just what it must have been like.
I hope these shots convey something of the place.
(I haven't given the settings for these as individual shots, they're all around F/8 and between 8 and 10 seconds. In an effort to get the colouring, white balance was set to Tungsten - they really are this sort of colour in real life)
Dermot and I have an ongoing discussion about the merits and flaws of exposure in night shots. He stands, a bastion of light and brightness. I stand... well, I stand much closer to the dark. I genuinely think this might be one of those times when the shadows make the pictures. You can read Dermot's account of the statues here.